My name is Charlotte, sometimes known as Ms Lottie, occasionally as The Slightly Mad Quilt Lady. This is my blog, where you'll find me writing a lot about my quilting and textile arts and a little about my family's life in a small seaside town in New Zealand. Haere mai!
Showing posts with label Jeanette DeNicolis Meyer. Show all posts
Showing posts with label Jeanette DeNicolis Meyer. Show all posts

Tuesday, October 16, 2018

Why I use silk organza in my art quilts.

Jaye commented on my last post and asked:
Do you have a color preference for silk organza or tulle? Is there a difference in the two fabrics? Do they disappear once quilted or can you see the color of the organza (tulle-we use tulle here, though I suppose people use silk organza. I haven't heard much about silk organza used in the way you are using it) 
I started replying to her and the more I wrote the more I realised that this topic deserved a whole blog post all to itself.

Hand dyed silk organza

So.

Tulle is a synthetic fabric and you can buy it in just about all colours of the rainbow.  It is almost like a fine netting but it is fairly stiff.  If you use it in art quilts as an overlay, it can provide shading or highlights.  I once created a (slightly scary) self-portrait using layers of tulle.

This was done in 2010, it's nice to see my free-motion quilting has come a long way!

But tulle has scratchy edges when it's cut and the holes in it give a texture to the quilt top that I don't really want.  

I took a Susan Carlson class once and she sometimes uses a layer of tulle over her whole quilt to hold all her tiny collage pieces down.  It's a handy technique.  But I find that if I use it as an overlay over my entire quilt, it 'deadens' the look of the quilt a bit as the tulle is all one solid colour, even if you can't really see it except close up.

You can buy white tulle and paint it, but it's not as easy to colour as silk organza.

You can get finer grades of tulle - often known as netting - but while softer and finer, it still has the holey texture to it, and I can't always find it in shops.

Silk organza is finer, it's a natural fibre so easier to colour, and it has a sheer finish to it so I don't get that added texture from the weave.  Because the weave is finer, the appareance of the fabric is 'denser'.  I can use it like a piece of cotton fabric, such as an applique shape, but it still has transparency.

I first came across silk organza when I did a workshop with Jeanette DeNicolis Meyer in 2012.  We painted pieces of silk organza and then worked on abstract compositions layering up the colours.  I fell in love with the luminous qualities and the complexity of colour that you could get from layering them.


Above is one of my pieces in progress from that workshop where you can see the layers of fine colour.


And here's my beautiful friend, Sue, working on her painterly piece.  I adored how she had a piece with multiple colours, I hadn't thought to try that.

I also came across a book by Melanie Testa, titled, "Inspired to Quilt."


Melanie also used silk organza in her quilts, often as whole overlays, and she would paint it or use thickened dyes to colour it.  Her quilts are glorious, with lovely colour and transparency.

So these strands sort of all came together over the years to lead me down the silk organza path. One of my first quilts where I used it was 'Sunset Tui'.  I was using leftovers from Jeanette's class cut into curving shapes to create the background.  I attempted to free-motion quilt those pieces down but got frustrated by all the edges constantly lifting up as I would run my darning foot over them.  I put the quilt away for a while in frustration.


Then eventually I used information from Melanie's book to make a whole silk organza overlay for the whole quilt.  I used stencils to print a bird and flax frond on it and painted the rest.  The dreamy colour it made and the ease of using it to hold all the fiddly bits down had me hooked.


So now I buy silk organza wholesale and dye it myself.  I love the colours and I love to have more than one colour in a piece so I can get that range of colour onto my quilt top.  I also love that I can stencil an image onto it, which you cannot with tulle because of the open holey weave.

The other thing I can do with organza that I can't do with tulle is use a fusible web with it.  I prefer Mistyfuse because it is so fine that it doesn't come through the sheerness of the organza, but I have also used Vlisofix with some success.  However, a fusible with defined texture to it like Steam-a-seam shows very clearly through the organza and I won't use it.



Above is a picture of some of my hand-dyed silk organzas ready to use in quilts.

I found a great blog post over at Droplet Weddings, with good images, on the differences between several types of sheer fabrics.  So if you need clarification of what the different sheer fabrics look and drape like, head over there.  She say that silk organza has a lot of body to it and she finds it quite stiff.  I will add that once it is dyed and washed it softens up, but having a bit of body is not a bad thing with sheer fabrics when you are using them in art quilts!

I hope that answers your questions, Jaye.  I don't know many other people who use silk organza in the way I do, but I love it and the effects it can give.

Monday, March 10, 2014

Workshop Weekend

I spent a long weekend in the Big Smoke, aka Auckland, for a workshop with Jeanette DeNicolis Meyer.  Jeanette hails from the United States but spends a fair amount of time in NZ.  She is a very talented woman, and I say that not just about her art, but about her teaching skills.  Not everyone can teach as successfully as she does, keep the workshop running smoothly, attending to everyone's needs and catering for all skill levels.  Yay for Jeanette! (In fact, this is the third workshop I've taken with her - because I know how great she is!) So if you ever get a chance to take a workshop with her, you should seriously consider it.

Our workshop was titled: Working Toward A Series: Design Basics and Beyond.

We worked with line, shape and texture.  Colour - with hue, value, intensity and temperature.  Design principles.  Symbols and evocative objects.  Composition and story telling.  And through it all, Jeanette wove examples of working in a series and how and why you might go about doing this.






I used my iPad mini throughout the class to take working photographs.  It made it really easy if I wanted to refer back to a previous composition and has a much bigger screen than my camera (no, I don't get a kickback....darn it!)

The group of participants was lovely - most from Auckland with one other from out of town - Hi Shirley!  A wide range of experience and backgrounds, which makes it that much more interesting.

So I had a great time.  Exhausting, lots of brain work and I collapsed in my motel room every night but so glad I went.  And Auckland put on the good weather for me too!


The drive down was lovely too.  I visited three quilt shops on my way, so keep your eyes open for a blog post about them.

Ciao for now.

Monday, February 24, 2014

Podcast Episode Two Show Notes

Apparently when you record a podcast, you should also include a blog post about that podcast.  That post is called show notes (now doesn't that sound all professional?!) and it gives you a basic rundown of what was talked about and, in particular, further information and links to websites that were mentioned.

So here are my first show notes:

This podcast I talk about my acceptance to the Living Colour travelling textile exhibition.
http://livingcolourtextiles.com
http://www.beneathsouthernsky.com
http://serendipitypatchwork.com.au - Brenda Gael Smith's website

Here's a little glimpse of my quilt 'Summer Dragonfly' made for the Living Colour! exhibition.
I also talk about guide words.
http://catherineparkinson.blogspot.co.nz
http://christinekane.com

My guide word quiltlet
A link to Jeanette DeNicolis Meyer http://www.jdmeyer.com, with whom I'm taking a workshop soon.

I also talk about my Beginner Quiltmaking classes and how inspiration can strike.  I'd love to hear how inspiration strikes you!

Listen here at pod bean:
http://theslightlymadquiltlady.podbean.com/2014/02/23/episode-two/




Thursday, March 15, 2012

Playtime


I've been playing.  Playing with paint - the tui behind is painted through a freezer paper stencil, the one in front fabric.

And then I've been playing with organza.  I attended a weekend workshop with Jeanette De Nicolis Meyer called "Layers of Lightness: Quilt and Collage with Translucent Fabrics" and I had a fabulous time!  We got to paint silk organza (which is soooo much easier to handle than synthetic organzas) and then we started composing little pieces with our bits of yummy fabrics.  Below you can see one of my compositions developing.




This one I'll be stitching down with straight machine stitch around the shapes.  Jeanette also taught us hand and machine pojagi seams (a traditional Korean seam used in wrapping cloths).  I love the prismatic colours on this piece - I used a white background to layer it on to get that translucent look.  Other people used patterned backgrounds with interesting effects.

Then I had a serendipitous moment when I was piling up my scraps and I couldn't help developing another composition.



I really like this one.  It has something mysterious about it.  I used a blue cotton that I had hand dyed and discharged cross patterns on as a base cloth and you can see how it has altered the top colours.  I'm busy hand-stitching these pieces down and liking it more and more as I go.  If you want to see what others did in the workshop you can see pictures here.


And I fear I'm a little addicted!  This is a composition I worked on yesterday. Inspired by a dawn sky I photographed a little while ago.  I have thoughts about putting my tui's over it along with an organza tui, but I'm not sure yet, more playtime will have to be indulged in before any decisions are made.

PS Jeanette is teaching again in New Zealand in April 2013 at the Wanaka Autumn Arts School - she comes highly recommended by me!

PPS Many thanks to dear hubby who entertained the children all weekend, mowed the lawns and cooked dinner both nights too.

Tuesday, January 31, 2012

Jeanette DeNicolis Meyer Workshop

Renowned international fabric artist  Jeanette DeNicolis Meyer  is coming to Northland.  She will be teaching a two-day course on designing and collage with translucent fabrics.


Quilt and Collage with Translucent Fabrics
Discover the design and color world that opens up while composing quilts or fabric collages with layers of luscious silk organza and crisp cotton organdy. We will begin by producing a gem-like palette of translucent fabric with easy to use paints and then proceed to the design wall, where new colors and shapes will emerge as the translucent fabrics are layered. We will also produce a technique sampler notebook as we experiment with fusing and a variety of machine and hand-sewn seams to explore the design possibilities different finished edges can provide.


Dates:   March 10th and 11th 2012

Location:   Whangarei, venue to be advised

Cost:   $115.00 per person.  $40.00 non-refundable deposit.  Limited places available.

Contact:   Charlotte Scott  09 404 0644


Brought to you by the combined efforts of Whangarei and Kerikeri Patchwork and Quilting Clubs. 

Jeanette’s website: www.jdmeyer.com