My name is Charlotte, sometimes known as Ms Lottie, occasionally as The Slightly Mad Quilt Lady. This is my blog, where you'll find me writing a lot about my quilting and textile arts and a little about my family's life in a small seaside town in New Zealand. Haere mai!
Showing posts with label down under quilts. Show all posts
Showing posts with label down under quilts. Show all posts

Friday, November 14, 2014

Crazy Cat Lady Tote and DUQ Cover Girl


I've had a productive week.  I don't know how it worked out like that, but I'm guessing having deadlines helps just a bit!  I've finished writing my midwifery standards review, completed a technical editing project and made a cat tote for a budding crazy cat lady.


My inspiration for this tote came from Pam at Hip to be a Square.  She said it was okay if I was a 'copycat'.  Sorry....couldn't resist.

I made if for my daughter's best friend.  The order was for a bag with cats on it, and her favourite colour is purple.  Done and done.  Shhhh, don't tell my daughter, but I'm making her one too so they can be all matchy matchy.  Didn't you do that with your best friend when you were seven?


Love me a stripey lining.  Just about as much as a stripey binding.




And what do we have here?  My very first magazine published pattern.  And I made cover girl!  Woot!  Now that they've published the photos, it'll come home, maybe in time for Christmas?  It's called 'Twas the Night Before Christmas and is a cute little wall hanging inspired by my favourite seasonal poem by Clement Clarke Moore.


The wallhanging has piecing, fusible appliqué and a little bit of stitchery.  If you are interested in making one of your own (I could imagine it with a snowy white background and red and green houses), you can get a digital copy of Down Under Quilts from here.

I'm working on editing my next podcast with another of my interviews from Festival of Quilts, but in the meantime, I'll leave you with this:

'Twas the night before Christmas and all through the house
Not a creature was stirring, not even a mouse
The stockings were hung by the chimney with care
In the hopes that St. Nicholas soon would be there

The children were nestled all snug in their beds
While visions of sugar plums danced in their heads.
Mom in her kerchief and I in my cap
Had just settled down for a long winter's nap.

When out on the lawn there arose such a clatter
I sprang from my bed to see what was the matter
Away to the window I flew with a flash
Tore open the shutters and threw up the sash

The moon on the breast of the new fallen snow
Gave a luster of mid-day to objects below.
When what to my wondering eyes should appear
But a miniature sleigh and eight tiny reindeer

With a little old driver so lively and quick
Well I knew in a moment, it must be St. Nick
More rapid than eagles, his coursers they came
And he whistled and he shouted and he called them by name

"On Dasher, on Dancer, on Prancer and Vixen
On Comet, on Cupid, on Donner and Blitzen!
To the top of the porch, to the top of the wall
Now, dash away, dash away, dash away all!"

As dry leaves that before the wild hurricane fly
When they meet to an obstacle mount to the sky
So up to the rooftop the coursers they flew
With a sleigh full of toys and St. Nicholas too.

And then in a twinkling, I heard on the roof
The prancing, the pawing of each little hoof
As I drew in my head and was turning around
Down the chimney St. Nicholas came with a bound

He was dressed all in fur from his head to his foot
And his clothes were all tarnished with ashes and soot
A bundle of toys he had flung on his back
And he looked like a peddler just op'ning his pack

His eyes, how they twinkled, his dimples, how merry
His cheeks were like roses, his nose like a cherry
His droll little mouth was drawn up in a bow
And the beard on his chin was as white as the snow

The stump of a pipe, he held tight in his teeth
And the smoke, it encircled his head like a wreath
He had a broad face and a little round belly
That shook when laughed (ho, ho, ho, ho) like a bowl full of jelly (ho, ho, ho, ho)

He was chubby and plump, a right jolly old elf
And I laughed when I saw him in spite of myself
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread

He spoke not a word but went straight to his work
And filled all the stockings and turned with a jerk
And laying a finger to the side of his nose
And giving a nod up the chimney he rose

He sprang to his sleigh, and to his team gave a whistle
And away they all flew like the down of a thistle
But I heard him exclaim as he drove out of sight
"Merry Christmas to all and to all a goodnight"

Thursday, July 10, 2014

Summer Dragonfly - The process of making a Living Colour quilt


Issue 165 of Down Under Quilts, one of Australia's most popular quilting magazines, goes on sale today.  They have an article featuring Living Colour!, the travelling exhibition curated by Brenda Gael Smith and my quilt is one of the ones featured.

I haven't shared a process post on this quilt yet.  We were asked to keep the quilts to ourselves until after the first exhibition, so I only showed tiny snippets here and there.  So I thought this might be the right time to share.  Plus we've had the most revolting weather here over the last couple of days, and I could do with some bright, summery colours!


Here is where I started.  I drew out the size of the finished quilt on my big roll of brown paper (most useful quilting tool ever) and then, using pencil then pastel crayons, I drew out my dragonfly.


I decided that I wanted to use a complementary colour scheme for lots of energy in my quilt.  My dragonfly was blue and the opposite of blue on the colour wheel is orange.  So on white fabric I masked out the shape of the dragonfly using freezer paper and proceeded to paint and print in shades, tints and tones of orange (and a little bit of blue).  Unfortunately I hated the final result - boring, messy and nothing to do with dragonflies!!


I started again.  This time I drew out my dragonfly on white fabric and coloured it using coloured pencils.  I was happy with the dragonfly, but then I started on the background.  I got to the stage you see above and again....boring!!


I opened my fabric cupboard to see if my muse was hiding in there and lo and behold, my eye lit upon a stack of co-ordinating silks that I had hand dyed.  Mmmmmm, much better.  I pieced these using gentle curves and did a little dance of happiness when I saw the result.  I knew it was perfect, even if it wasn't a direct complementary colour scheme.  Lesson: know the theory, then go with what feels right.

I painted over the dragonfly and seed head with fabric medium to set the pencil and give it that slightly deeper, more painterly effect.  Then I carefully cut it out and glue basted it to my background.


Once I had my top together I pin basted it with the backing and batting.  I did this before I appliquéd the dragonfly on so I didn't have to use stabiliser.

For the wings I drew the patterns on water soluble film and quilted over this.  I didn't use water to dissolve it because I didn't want to wet my quilt, but I've found the water soluble film tears away fairly easily.  I also used it to create small silhouettes of dragonflies in the background.


I added the blue dragonfly in the background using silk organza.  I just felt it needed something for balance.  I don't normally fuse organza, but I knew this was going to be a travelling quilt so I wanted it to be sturdy.   I coloured in the wings and the background dragonflies using coloured pencil just to give them a little more substance.


One of the hardest things was getting the ripples on the water right.  The curves really caught your eye if they were wonky so there was a little bit of reverse sewing and a few choice words said during that part.  In the end it wasn't perfect, but then, that's the joy of handmade.



I did lots of long vertical lines to suggest grass and put some seed heads on some of these for texture in the background.


I thread 'sketched' (I wouldn't call it painting) the grass seed head and the shading and highlights on the dragonfly's body (and all the tiny leg hairs - that was fun....).  Once I was happy with it, I trimmed it to size and then finished it was a facing.  That was nerve wracking as it had to be a certain size and I wasn't sure how much fabric the facing would take up.  In the end I think I just squeaked in a smidge under the size requirement.


This is how I photographed it.  I took my design wall out onto my deck on a bright but cloudy day and put an ironed piece of calico onto it.  Then I placed the quilt flat and square.  I had to use a couple of silk pins in the corners, but I put them through the back so they didn't show on the front.  I then set my camera up on top of the barbecue (I need to get a tripod) and took heaps of photos using all the different settings so I had a choice of which one was the most accurate portrayal.


Living Colour! is currently on display at the Sydney Quilt Show.  Here is the rest of the scheduled exhibitions:


Thank you to Brother Australia for supporting the Living Colour! exhibition.  And a huge thank you to Brenda, who has done the most amazing job of putting together a beautiful, cohesive collection of quilts, and a wonderful job of promotion and publicity.  I can't wait to see the quilts when they reach New Zealand!

Wednesday, June 26, 2013

World Famous in Australia!

Down Under Quilts has to be one of Australia's foremost quilting magazines.  We get it in NZ at a lot of bookstores too and it's always interesting to see what our cousins across the ditch are up to.  Linda Robertus is the new editor, and I'm sure she's going to do a fab job.

Well, I'm hitting the big time folks!  Thanks to a heads up from Marls, I discovered my four lines of fame!  My blog is mentioned in the DUQ issue 158 blog roll.


So hi!  My name is Charlotte, otherwise known as Ms Lottie, and I'm addicted to quilting.  I'm in my 30's, married to a pretty nice guy (he doesn't read my blog!) and have two kidlets - a boy aged 8 and a girl aged 5 going on 15.




We live on a lifestyle block, which is a fancy name for a couple of paddocks out in the wop wops boonies a rural area.


I look after my chickens, my ducks, my cows, my sheep and my family and squeeze in some midwifery work too.


My vege garden is going to rack and ruin, I got six quinces, five plums, a handful of feijoas and a wee bowlful of chilean guavas off my orchard this year, and my cat thinks he's the boss of the world.


Mucking around with fabric is pretty good fun.  I dabble in a bit of surface design and I like putting rusty bits of metal on fabric to make pretty patterns.



I make more traditional (mainly pieced) quilts for fun, relaxation and to make quiet night shifts go faster.


I make art quilts for brain stimulation and 'cause one day I want to travel to Houston (Hubby says I'm not allowed to go unless one of my quilts is hanging).



So if you're visiting - say hi and I hope you stick around.  If you're not new here, say hi anyway - I'd love to learn a little more about you.