Wingbeats II - SAQA Trunk Show Quilt

SAQA (Studio Art Quilts Associates) have travelling trunk shows available for shipping and display around the world.  These are collections of many small (7" x 10" portrait) pieces of textile art from a wide variety of artists.  There is no theme and no jurying, so skill, technique, subject and interpretation is wide and varied.  They are also mounted on card and in protective cellophane sleeves so all in all, they make a great addition to any quilt show or exhibition (just in case anyone was looking for something of the like).

This year the call for entries closed November 30, 2016.  I squeaked in with my finish and was about to enter my piece online when SAQA announced an extension to the deadline of about two weeks.

I had sat down the day before and written a critique of my first piece.  It's something I've taken to doing after my starting it in my year of mentoring.  It's really useful to stand back, take a new look and say what worked, what didn't and what you would do differently next time.  All in a constructive, non-critical way of course - I have been known to be so 'out of love' with a piece that I've critiqued it as "horrible, grossly flat and uninspiring, with such a twee theme that it deserves it's own special spot in the rubbish bin"!  Not particularly helpful ;-)

The piece above is the first quilt I was going to enter.  

My critique of it was: "The transparency and colours of the herons work well, but three on such a small piece is a bit overwhelming and confuses them a bit too much.  I like the shapes of the water, they have a nice flow, but I want to get the edges of them neater.  The overall theme of the herons and moon sits well with me, but I need things neater, tidier and more symmetrical to be entirely happy.  I experimented with adding hand stitching to the moon, but I don't think it adds anything and I think the border treatment needs to be less bold - it is overwhelming.

So with that in mind, and very thankful for a deadline extension, I started a second quilt.

It's so gratifying when you plan and scheme and it all works out!  This quilt is exactly what I wanted.  Cleaner, clearer, more finished and more polished.  I used one of my favourite techniques, which comprises of a complete overlay of organza over the whole quilt and that meant I didn't have to stitch to attach, I could just stitch to enhance.

You'll see from the closeup that the herons were printed on, not added as pieces of fabric.  Some of the blue water pieces are printed, some are fabric pieces below the organza overlay.  The moon is a piece of silk underneath the organza and I finished the quilt with a facing.

So - does this mean I should remake every quilt I finish?  No.  But it does push me further along the path of working in a series.  And it does make me think about taking out some of my older quilts and doing a proper critique of them.  You never know where it might lead!

Christmas Crazies

December is always my yearly speed bump, or judder bar as we call them in New Zealand.  It comes up with a rush, makes you sit up and take notice, and can do some real damage if you aren't prepared.

It's that crazy month of school finishing for the year and all that entails.  Christmas parties and work functions.  We go away camping or in the boat (or both) over Christmas so there is preparation for that.  Christmas presents to make and organise, decorations to sort.  And then this year we added in settlement on our house sale and some illness to boot.  Both my husband and I have had the kind of colds that make you couch bound for three days and now my daughter has a sniffle but she's just grateful that she's stopped upchucking after a tummy bug.  

And if that wasn't enough to send sanity packing, it's that time of year when I start questioning my goals, my achievements....my life.  Why does the end of the year make me wonder if I'm doing what I should be doing, if I'm achieving all I could achieve, if I'm a good and worthy person (just kidding on the last one....mostly).

I need to apologise to all those people who commented on my last couple of posts and who I haven't answered.  I'm using all the above as an excuse.  

This is day 94 from my 100 Days Project.  It's a little bit how I'm feeling at the moment.  

So what am I doing to help myself?  

Forgiving myself for things undone.  

Setting my timer and working on things for 10 mins at the time then setting the timer again for 3 mins to get up and walk and do a tiny bit of tidying up.  

Writing a schedule out for the week and to-do lists and paying close attention to my calendar.

Doing kind things for myself.

Doing a round of 'what we are grateful for' at the dinner table.

What do you do when it all gets a little crazy?

 

Sometimes you need simple...

I just read a quote on Deborah Boschert's blog today:

He who works with his hands is a laborer. He who works with his hands and his head is a craftsman. He who works with his hands and his head and his heart is an artist.—St. Francis

Deborah was talking about her workbook for developing your creative voice, called "Head, Heart and Hands".  I bought a digital downloadable copy for myself with the intention of starting work on it after my 100 days project is finished, I'll let you know how I find it.

Anyway.  The quote made me think about the sewing I did yesterday.  Sometimes you just need something to sew, something uncomplicated, something that just uses your hands, and maybe a bit of your head.  Something that will give satisfaction without any frustration.

At the recent Auckland Festival of Quilts, I bought a couple of half-metre cuts of Echino linen prints. I love Echino fabrics - a delightful mix of prints and colours.  I simply cut this piece in half, squared the pieces up and sewed them together into a tote bag.

For slightly more complexity and an increase in user-friendliness, I sewed it using enclosed seams.  Then I boxed out the bottom corners, added a simple outside pocket and lightly padded handles in a solid cotton fabric from my stash.  Done.  

Above is a snap of the bottom on the bag, inside out, so you can see the enclosed seams and the boxed corners.  

To sew enclosed seams, put the two pieces of fabric WRONG sides together and sew a 1/4 inch seam round the three sides, clip the corners, turn inside out (RIGHT sides together) and press.  

Then sew another seam around the three sides, slightly larger than 1/4 inch and this will enclose your first seams.  

Now you can box your corners as in the photo above, add a double fold hem around the top edge, add your pocket and your handles.  

I enjoyed it so much, and loved the final product that I might just use the other piece of Echino in the same way.

Symposium Woes

The biennial national quilt symposium of New Zealand is the biggest deal in the quilting world down here and it's next happening in Christchurch October 2017.  They are calling themselves Creative Construction this time around - a nod to the immense rebuilding that has taken place in the city after the devastating earthquakes of 2010 and 2011.

http://www.quiltsymposium2017.org.nz

I'm planning to go.  I've been to four other symposiums and I wouldn't miss it.  It's such a buzz for anyone who loves quilts!  Five intense days of classes, lectures, exhibitions, get togethers - just lots and lots of fun.

I'm making the trip with a friend of mine who's never been before.  I did that last time too, and enjoyed introducing someone to the delights of symposium.  We've just booked our accommodation, so even though it's almost a year away, we're getting prepared.  If you've never been before, I wrote a post with tips and advice for attending - you might like to check it out for a few ideas.

My prizewinning quilt 'Tui at Dawn'.  I REALLY enjoyed symposium that year!

But now, here's my problem - the registration book comes out soon and I've been looking at the tutors online, thinking about who I'd like to study with and what sort of classes I'd like to take.  And I'm blown away by the choice.  It seems like someone picked my brain for all the people I'd love to study with and invited them to attend.  It's going to be too hard to choose!

There are two five-day masterclasses this year.  One that particularly interests me is Lisa Call's 'Working in a Series'.  Lisa was my amazing SAQA mentor and I'd love to extend the learning I did under her guidance and I've always looked at this class thinking I'd like to do it.  But that's five whole days, and one of my own tips is to leave a day or two to see the exhibitions, rest and catch up with friends.  Arrghh!

My friend Shirley catching up at the Symposium Dinner.  Shirley is one of the most wonderful supportive quilters I know.

Then there are the international tutors who I might never get another chance to study with:
Jane Dunnewold - yes, I said JANE DUNNEWOLD, the queen of complex cloth is coming!
Luke Haynes - who I follow on Instagram and am intrigued by his work in series;
Jacquie Gering, whose walking foot quilting class on Craftsy really changed the way I use a walking foot;
Lyric Kinard, whose book 'Art + Quilt' was one of the first art quilting books I ever read;
Charlotte Yde - her work is just stunning, and thoughtful and intriguing;
Sherri Lyn Wood, I love her book (that I reviewed recently) and the thoughts behind her process.

And that's just the international tutors that interest me (there's more too) - there's exciting Australian (funny that they don't count as international, but I get the distinction!) and New Zealand tutors too.

It's too much!  How am I ever going to decide?

So tell me, are you going to symposium next year?  What tutors are you interested in?  And how are you going to decide what classes to take?

My New Kettle (and Studio)

Following on from my last post, when I heard the news that I no longer had a studio, I wallowed for a little while, then I put the problem out to the universe.  I asked friends and family for ideas and help, and the discussions that followed pushed me to think about what I really would like in a studio if I could have anything I wanted.

The list was long!  It included: water, power, space, light, storage and all the other things artists usually want.  But it also included security of tenure.  I wanted to be somewhere that I wasn't at the whim of other people's decisions.

I had some amazing offers and I want to thank those people, it was humbling to know people wanted me in their spaces, but my husband and I came up with an alternative solution that really ticks our boxes.

A nice sunny spot that's all mine! The curtains are up because the carpets were being cleaned.

We own a rental property a couple of minutes drive from our boat and it has a small flat downstairs.  The woman who had been renting it bought a house so she was moving out.  Then we sold our old house where we lived before we moved onto the boat (yay!).  We stored our furniture in a shed there when we moved aboard - now we would have to rent a storage unit for it.  And our rental property needs some serious maintenance work to the gardens.

So the plan came together like this:  We would take the bottom flat for ourselves, using our stored belongings to furnish it.  It would be my studio, our storage facility, our landside base if we ever wanted to get off the boat (storms, pulling the boat out of the water for anti-fouling etc) and we could also put wwoofers or Helpxer's in to help with the gardens and work on the boat - it always needs sanding and painting in one spot or another!  The best thing about the place is that we own it, nobody can kick me out and I can make as much creative chaos as I like!

There's a little bedroom, bathroom and laundry down the hall.

I'm getting excited about it now.  I wasn't, purely because I've spent several weekends shifting out of the studio and our furniture out of the shed, and the last thing I wanted to do was to shift it all back in again!  But I've taken a week off while I wait to get the carpets professionally cleaned and now I'm rearing to go again.

And I bought a new jug....