My name is Charlotte, sometimes known as Ms Lottie, occasionally as The Slightly Mad Quilt Lady. This is my blog, where you'll find me writing a lot about my quilting and textile arts and a little about my family's life in a small seaside town in New Zealand. Haere mai!
Showing posts with label quilt. Show all posts
Showing posts with label quilt. Show all posts

Thursday, September 5, 2019

Canada has barn quilts. And barns.


Lots of you know that I recently spent two months in Canada*.  An amazing time was had, and I hope to write a few more blog posts about what I got up to when I was there, but for now I want to start with barn quilts. And barns.


I'd heard of barn quilts, but I'd thought they were just an American thing. But Canada has barns too, so why not barn quilts as well?! 

A barn quilt is a big quilt block painted on a piece of wood and stuck on the side of a barn. They've been around for hundreds of years, farmers used all sorts of folk art to decorate barns in the past, but in the last few decades they've had a resurgence.


They are often used to draw tourists to small towns, with barn quilt trails leading visitors from one place to the next. These barn quilts I photographed are all around the tiny town of Ailsa Craig, in south west Ontario, where I spent a week at the Ailsa Craig Quilt and Fibre Arts Festival.


One of our lovely hosts, Mary, spent an evening driving Clare, Catherine and myself around miles and miles of lovely countryside. There were more barn quilts I got to see but didn't photograph because the light was getting pretty low.




The south west Ontario countryside was beautiful. Quite flat, lots of farming, gorgeous trees that were just leafing out for Spring, and lots and lots of great barns.  I loved the shapes of them and the colours, so different from New Zealand.


The iconic Canadian maple leaf had to feature somewhere! If you want to know more about the barn quilts in Canada, you can visit the Canadian barn quilt website, where you can read stories about the people behind them and find maps if you want to follow a barn quilt trail.


As well as new barns, there were also lots of older buildings. Such great shapes.


Mary knew who owned this one, so we were able to get up close and personal with it.  There are also lots of barns that don't have barn quilts, but are still decorated in some way.


And then I got to rural Nova Scotia, and I found SO MANY brilliant barns! Unfortunately we were driving a hulking great camper van by then and Hubby couldn't really pull over for me every time I saw something I wanted to photograph (sad face emoji), so lots of these next pics are taken from a moving vehicle.


Gloomy.


Nova Scotia has quite red soils, nicely echoed in the rust on this barn.


That's the Bay of Fundy in the background of the barn above. It has the highest tides in the world and when the tide is out there is acres of red tidal mud.


How could you not love everything about this big red beauty?


This one (above and below) is a rebuilt approximation of the barn on the Anne of Green Gables historical site on Prince Edward Island. This property was were L M Montgomery spent a lot of time as a child and was the inspiration for the house called Green Gables.



And I found other great buildings too, like this wharf shed in Maine, US.


And last, but not least, how about this abandoned house on the hill in New Foundland?  I hope you enjoyed my little structures of North America tour.


*That goes some ways to explaining the big black hole in my recent blogging activity!

Wednesday, July 6, 2016

Tīeke Imagined



Lynda Worthington is the editor of Embellish, an Australian textile art magazine.  A little while ago she contacted me to see if I'd be interested in contributing to a New Zealand themed issue of the magazine.  I said yes of course!

The magazine came out in June and I was super excited to see my quilt featured on the cover.


'Tīeke Imagined' is a small quilt (about 13" x 14") I made in response to my (fruitless) search for the NZ Saddleback bird, Tīeke.  

New Zealand has many unique native birds, many of them endangered as they all evolved without mammalian predators like rats and stoats.  The Tīeke is one of those birds, and now that NZ has rats, stoats, cats, and dogs, they are struggling to survive.  About 40 birds were released onto predator controlled islands out in the Bay as part of Project Island Song.  We've taken our boat out several times over the last year or so and I've gone walking on the Islands in search of Tīeke.  So far I've heard them, but not seen them.

 Photo borrowed from Wikipedia 

Tīeke Imagined, textile art by Charlotte Scott, SOLD
I used silk organza, stencilling, layering and free motion quilting to construct my quilt.  If you'd like to know more about the techniques, I wrote in depth about the process in the magazine article.  There are also other great articles in the magazine from New Zealand and Australian artists.  You can find Embellish on their website here.  You can also buy it in New Zealand through Minerva.


And I'll let you know if I ever do see a Tīeke!

Monday, June 15, 2015

Podcast - Interview with Kerry Glen from Tulis Textiles, Batik Specialist

This episode is an interview with Kerry Glen of Tulis Textiles, a web based quilt shop that specialises in batik fabrics, squedge rulers and now branching out into surface design supplies.  Kerry talks about her journey into quilting, and importing and selling batiks.  

This is a photo of one corner of Kerry's cutting room.  I confess that I took a few colours home with me...



We learn how batiks are made and also about some other Indonesian fabrics.  Below is a picture of one of Kerry's chops or caps, which is used to print a wax resist onto the fabric.  This is the surface of the chop dipped into the wax, the handle is behind the chop and you can't see it.



Here is a picture of the table runner that we talk about, with an unusual colour scheme inspired by a clay pot, and created using a 15 degree wedge ruler.  Kerry has a free pattern for this on her website, click here to see it.



Kerry has begun holding quilt retreats and we discuss the why and wherefores of getting together groups of like minded people.  It's really awesome that the New Zealand quilt market is growing to the extent that make these retreats viable.  I hope that Kerry keeps getting the numbers to continue these as they are an awesome way for quilters to get together with people who speak your language and learn something new.  Go and check out the details for her textile art retreat in August.

Kerry has also started stocking surface design supplies, check them out here, and check back often as the range is going to grow.  

I had a wonderful time talking to Kerry, and there is much more, so have a listen and enjoy!



Download this episode (right click and save)

Saturday, June 6, 2015

Podcast - Being a Quilter's Kid

I thought I'd talk with my children to get an insight on what they thought about quilts, quilting and having a quilting obsessed Mum.  They were happy to oblige and there are interesting, funny and a few golden moments through our interview.

They both talk about their bed quilts I've made them.



You know the saying about tailor's children having no shoes?  Well, my kids have quilts, but they are both years old, very well loved and consequently getting tatty.  These old photos show me that at least my photo taking ability has improved, but it's also long overdue for me to make new quilts for them I think.  You'll hear Liv request a fairy princess with a pretty dress riding a unicorn pegasus.......sure, I'll knock that off by next weekend!

And here's a picture of the quilt we were sitting on.  I asked them how much they thought I should sell it for....I'm hoping you'll gasp in horror when you hear the figure they suggested!



I hope you enjoy listening.  Apologies if the sound fades in and out a little, I was chasing two kids and a cat round my bed....



Download this episode (right click and save)

Thursday, April 23, 2015

Podcast - Interview with Kerryn Walker, Quilt Shop Owner


Back in January, I visited Kerryn Walker at her quilt shop, The Country Yard.  Although it's about an hour's drive from me, I consider it one of my local quilt stores (LQS).  That's what you get when you live rurally!

Kerryn and her staff are incredibly helpful and supportive to quilters.  They run stitching days and plenty of classes.  They also have interesting block of the months and challenges.  And of course, they have lots of beautiful fabric, threads and notions!



Suz, from 'All The Good Ones Are Taken' blog, is taking part in one of The Country Yard's monthly mystery projects called Medallion Mystery.  Her first post about it is here, and she just told me she's finished the first block so hopefully will be posting more about it soon.

Relics Month 5
One of the blocks from 2014 Mystery Stitchery, Relics of Yesteryear
Kerryn was generous with her time and let me interview her for my podcast.  We chatted about her journey in quilting, how she came to be a quilt shop owner and what plans she has brewing for the future.  I had fun and learnt a lot so I hope you'll find it an interesting listen.



Wednesday, February 11, 2015

What's on Your Design Wall Wednesday

I'm trying to modify my working habits.  Usually I would flit from project to project.  If I get a bit stuck or frustrated, I'd put down whatever it was I was working on and start or work on something else.  I don't have the room to keep lots of projects spread out here and I know that if I put them away, a lot of them wouldn't surface again!

So I'm trying to stick one thing through until the bitter end.  With a bit of hand work when I'm out and about and a fairly simple piecing project for quiet times at work, I think I might be able to make it work.


The project I'm currently working on is one I started in my class with Sue Benner.  I made the background panel in class and then played around with different ways of constructing the shags/cormorants.  I was trying for a sketchy or loose look and the first two weren't right.  The last one was, but was too big for the panel.




Once home, I constructed more background panels to enlarge the quilt to fit the first bird.  I constructed two more birds, loosely working from photos I had taken out at Urupukapuka Island.



I played around with balancing the layout of the birds.  I'm trying to convey how I feel when I watch these birds - peaceful and calm and enjoying of the beauty of the scene.  So I want a balanced, tranquil feel to the quilt.  This means getting the layout right so nothing feels 'odd' or 'unsettled'.




Next I worked on the poles that the shags are standing on.  The mix of fabrics I used was too contrasting and too red to start with, so I used a bit of coloured pencil and a bit textile paint to tone the colours down and blend them together more.  These little changes can make a big difference.



More playing around with the layout of the birds.  Now that I have it up on a design wall I can use white cropping strips to see how it will looks once trimmed.  And that changes how the birds sit in the space.

Lastly, the reflections of the poles in the water.  The poles need to be placed in space with relation to their surroundings or they just look like they are 'plonked' there.  A few ripply reflections is giving them a relation to the water.


I think it's slowly coming together.  And I'm enjoying just keeping with one project and seeing it through the little sticking points.

So what's on your design wall?

Thursday, January 29, 2015

Interview with Melanie Martin, Best of Show winner, Manawatu Quilt Symposium 2015

Melanie Martin won Best of Show at the Manawatu Quilt Symposium 2015.  She was absolutely gobsmacked and after the awards ceremony I came across her sitting there stunned with her friends happily congratulating her.  I took the opportunity to ask Melanie for an interview, and while she was too overwhelmed to answer, her friends kindly agreed on her behalf!

Is is Art? Best of Show, Manawatu Quilt Symposium 2015, by Melanie Martin
Melanie discusses what this quilt is about and what it means to her.  We chat about her journey into quilting, her 'year of challenges' and where to from here.

We talk about another of her quilts, and you can see the Aotearoa Quilters Growth Challenge gallery here.  Melanie's quilt is called 'Under Construction'.

I can't find the exact Michael James quote that I talked about, but here's another good one from him that fits in really well with what Melanie and I talked about:  

Quiltmaking has historically been an art of conformity. I think it’s high time that we relegate that fact to quilt history, and move this art form fully into the 21st century where it should take its place alongside other exploratory and creative media.”

Thanks to Melanie for her time.

Tuesday, November 11, 2014

More quilts from Festival of Quilts

I thought I'd show a few pictures of some of the quilts that particularly caught my eye at the 2014 Auckland Festival of Quilts.  Of course the lighting makes it difficult to get great shots, but I hope you enjoy them anyway.  And I urge you to go to FOQ next year, up close and personal is the best way to view!


Show me the Honey by Rebecca Owen, hand-quilted and machine quilted by Judi Schon


Brainwaves by Robyn Rognstad


Caravan Quilt by Val Williams


Enchantment by Debbie Jones, Dragonfly Studio - Enchantment pattern


Pyjama Party by Annie White


Road Block by Annie White, 


Faceless Comrades by Alison Laurence

I wish I'd had more time to spend looking and browsing.  One thing I learnt - interviews take longer than you think!  But here are some blogs with more photos if you want to browse: