June will see the start of my 100 Day Project for 2018. A 100 Days Project (or Challenge) is really just what it says - 100 days in a row of doing something creative, again and again and again. I've completed two 100 Days before and I've found them immensely rewarding. I've also found them frustrating and challenging, but that's all part of the package!
Day 1-20 of 100 Days of Scissors. |
Last year I completed 100 Days of Scissors, where I cut paper and formed collages. I developed my composition skills and now I have a sketchbook full of ideas and inspiration. I also realised that I prefer to cut to a drawn line rather than free hand!
My first 100 Days was 100 Days of Faces, with the intention of getting comfortable with sketching faces and using them in my work. Again, I have a sketchbook full of ideas and inspiration and I'm much more confident with my face drawing skills.
Sketchbook page from 100 Days of Faces |
This year, the organisation that has previously hosted the 100 Days Project NZ is taking a break, so I'm working with Lisa Call and Kate Hartmann of Tutere Gallery, who have jointly developed their own 100 Day program. I thought about working on my own, but I know myself well enough to know that to stick with it and commit, I need the accountability and community that a group can offer!
There are different tiers of support with Lisa and Kate's program and I believe the in-person programs are full, but there are still spaces to join the on-line program running through email and Facebook if you'd like to jump on board and join in.
One of the hardest things about 100 Days is deciding what sort of project to do. It has to be small enough to complete EVERY SINGLE DAY, challenging enough to stretch you and interesting enough but easy enough to stick with over the course of more than three months.
Then you need to think about what you want to do with the final works. Are they just inspiration for future projects? Do you want to have a body of work to exhibit or sell? These decisions will also influence what project you decide to do.
To help me make some of those decisions, I got out my trusty pen and paper and did some brainstorming. What did I want to get out of this year's project?
Then I brainstormed ideas for projects:
And have you ever done a 100 Day Project? Are you doing one this year? What were your challenges and triumphs? I'd love to hear from you.
There are different tiers of support with Lisa and Kate's program and I believe the in-person programs are full, but there are still spaces to join the on-line program running through email and Facebook if you'd like to jump on board and join in.
One of the hardest things about 100 Days is deciding what sort of project to do. It has to be small enough to complete EVERY SINGLE DAY, challenging enough to stretch you and interesting enough but easy enough to stick with over the course of more than three months.
Then you need to think about what you want to do with the final works. Are they just inspiration for future projects? Do you want to have a body of work to exhibit or sell? These decisions will also influence what project you decide to do.
To help me make some of those decisions, I got out my trusty pen and paper and did some brainstorming. What did I want to get out of this year's project?
- help me get into a regular studio habit
- get me working with joy and curiosity
- find something new
- a body of work or a collection of inspiration
Then I brainstormed ideas for projects:
- flora printing
- botanical drawing
- bird drawing
- clothes making
- fabric collage
- colour - dyeing, painting, colouring fabric
- free-motion quilting
- surface design
- art on the iPad
- improv piecing
- drawing patterns
Then I put those two lists together and I've come up with something that I think will work on all levels for me. My intention is to 'renovate' my hand-dyed fabric stash. This means that every day, for 100 days, I'll take a piece of my hand-dyed fabric and I'll add another layer of surface design to it. Whether that be another layer of dye, a printed pattern overlay, perhaps taking colour away with discharge dyeing, or even drawing straight onto the fabric.
Either way, after 100 days, I'll have 100 surface design samples; I'll have tried out lots of new ideas and practiced old ones; I'll have got back into the habit of regularly wet studio time and I'll hopefully have had lots of fun!
Now I just need to come up with a funky title for my project and a hashtag that I can use on Instagram to collate my images. #100daysoffabricrenovation is a bit clunky. Any ideas?
And have you ever done a 100 Day Project? Are you doing one this year? What were your challenges and triumphs? I'd love to hear from you.
I would love to join in if possible. I am slowly coming back from the loss of my quilt studio and my books and stuff in the Louisiana floods. I think think this is something that could help me start to put together a new body of work. You know, get that mojo working again.
ReplyDeleteSorry I just realized you weren’t collecting people. I might just do that on my own! Sounds like a good way to get started again with a creative process.
ReplyDeleteGreat brainstorming Charlotte!! You have a beautiful collection of hand dyes there to work with, very exciting and I hope you'll post and share with us.
ReplyDeleteThis is an awesome idea! Looking forward to see what you achieve as your previous challenges have created some wonderful pieces.
ReplyDelete#100daysofLayers can't wait to see what develops!
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