Not much gets done on the quilting front round here during school holidays. The kids see me sewing and find a million things they need help with urgently, or they decide they are hungry, or - and this is the worst insult of all - they decide THEY want to sew ;)
But I've managed to fit in a few other things. We've had the nieces visiting for a few days and they joined in the birthday afternoon tea that my boy had for his seventh birthday. Lots of running around was had after the treats and then we had the cake.
For those of you who can't decipher what it is - it's meant to be a chocolate pinata cake. You make a cake, ice it and top it with goodies, then make a chocolate shell in another bowl and drop it over the top. Birthday boy gets to smash it with a toy hammer to get to the goodies underneath. Well. Let's just say it was a learning experience! And he wasn't too disappointed that it was already broken when he got to it. If you ever want to make one of these - practice first.
But tomorrow morning I'm hosting my Friday Group of quilters here so I might get a bit of sewing done then. And very soon I'm off on Retreat. A three day quilt-till-you-drop experience that we hold a few times a year through our guild. I haven't decided what projects I will take, but rest assured I will have something completed by the end of it!
Happy school hols everyone - only a few more days and it's all over.
My name is Charlotte, sometimes known as Ms Lottie, occasionally as The Slightly Mad Quilt Lady. This is my blog, where you'll find me writing a lot about my quilting and textile arts and a little about my family's life in a small seaside town in New Zealand. Haere mai!
Thursday, October 20, 2011
Friday, October 14, 2011
Stomping in my sketchbook.
Have you ever seen those pretty stamps in scrapbooking or art shops? The ones with the wooden handles and rubber stamp bit? Yummy designs but a little pricey for just one stamp? Well, here's what I'm doing to get around it - and it's so darn easy I don't know why I haven't done it before!
Work over your cutting mat (self-healing mat) so you don't blunt your knife if you slip and, just like cutting vegetables, always slice away from your fingers.
Wash your stamp in water after using. Heat set your designs on fabric with an iron once they are dry. And carve on both sides of your rubber if you want to be frugal.
You can make your own birthday or special occasion cards (and at $5 a pop, I certainly don't buy them anymore unless they are really beautiful), use the designs in fabric postcards, ATC's, art quilts or make your own border fabric for a traditional quilt.
For kiwi's: I found the x-acto knife and rubbers at Stationery Warehouse. The ink pads were from Spotlight and The Warehouse.
And credit where credit is due, I'm pretty sure I got this idea from watching a preview Quilting Arts DVD with Lyric Kinard.
Take one cheap rubber (or eraser if you're so inclined!) and draw your design on it in a soft pencil. Grab your x-acto knife or sharp craft knife and carefully carve away the bits you don't want to stamp (I've coloured those bits in to help my brain recognise which bit to cut).
Place your stamp on your stamp pad and happily stamp away. I've used my stamp with paint and on fabric as well as paper. This isn't the method to carve anything really intricate, unless you are very skilled with an x-acto knife, but it's giving me lots of pleasure anyway.
Wash your stamp in water after using. Heat set your designs on fabric with an iron once they are dry. And carve on both sides of your rubber if you want to be frugal.
You can make your own birthday or special occasion cards (and at $5 a pop, I certainly don't buy them anymore unless they are really beautiful), use the designs in fabric postcards, ATC's, art quilts or make your own border fabric for a traditional quilt.
For kiwi's: I found the x-acto knife and rubbers at Stationery Warehouse. The ink pads were from Spotlight and The Warehouse.
And credit where credit is due, I'm pretty sure I got this idea from watching a preview Quilting Arts DVD with Lyric Kinard.
Monday, October 10, 2011
Journal Quilts
Journal quilts are generally small - often A4 size or 12” x 12”, are made regularly – weekly, monthly etc and are used as a way to experiment and to document.
Artist Rose Rushbrooke explains them well here. And you can see her journal quilts there as well.
Quilter Jeanne Williamson: “I started making them because I was having trouble finding the time to make quilts and be creative about them. I felt blocked.”
“But then I thought about her little postcard-sized watercolour experiments and thought, “I could do this!”…Why not one quilt per week?”
“I definitely used the weekly quilts to document what was going on in my life…I also used the weekly quilts to try new materials and techniques.”
Quilter Maria Elkins: “I was one of those quilters energized by the Journal Quilt Project. This was exactly was I needed. For years, I have struggled to overcome a fear of failure. Now I was given the opportunity, the permission, even the directive to play.”
So why am I starting to make journal quilts? I love traditional quilts, the repetition of pattern can be both soothing and dynamic, the colours can be stunning, but generally the quilts that make me go, “Wow!” at quilt shows and on blogs are the non-traditional, the art quilts, the ones using interesting methods to convey thoughts and feelings.
But where to start? And how to continue? I have made a few ‘arty’ bits and pieces over the years and I love to experiment, although I don’t nearly do enough of it. So to get me started and to help me continue, I’ve decided to start making journal quilts.
I don’t think I’ll stick to a certain size and I can’t promise I’ll make one every week. But what I am going to do is regularly make a small experimental quilt. I will not get hung up on making something ‘perfect’ and I’m going to do my best to have fun!
And here is my first one. I layered scraps and fused some of them down. I free-motion appliquéd a shape that I made in a Jane Sassaman class over the top and free-motion quilted the background down. I used some hand embroidery stitches to create variety in the texture of the background and then I fused a binding that I had cut with a decorative cutter.
For me this was just fun, nothing precise, and it made me feel less frustrated that I haven't used any of the things I had done at the Remarkable Symposium. I have never fused a binding or used a decorative rotary cutter either.
And, just because it's so sweet it makes my teeth hurt, here is a drawing my four year old daughter did of her riding on her father's shoulders. Awwwww!
Artist Rose Rushbrooke explains them well here. And you can see her journal quilts there as well.
Quilter Jeanne Williamson: “I started making them because I was having trouble finding the time to make quilts and be creative about them. I felt blocked.”
“But then I thought about her little postcard-sized watercolour experiments and thought, “I could do this!”…Why not one quilt per week?”
“I definitely used the weekly quilts to document what was going on in my life…I also used the weekly quilts to try new materials and techniques.”
Quilter Maria Elkins: “I was one of those quilters energized by the Journal Quilt Project. This was exactly was I needed. For years, I have struggled to overcome a fear of failure. Now I was given the opportunity, the permission, even the directive to play.”
So why am I starting to make journal quilts? I love traditional quilts, the repetition of pattern can be both soothing and dynamic, the colours can be stunning, but generally the quilts that make me go, “Wow!” at quilt shows and on blogs are the non-traditional, the art quilts, the ones using interesting methods to convey thoughts and feelings.
But where to start? And how to continue? I have made a few ‘arty’ bits and pieces over the years and I love to experiment, although I don’t nearly do enough of it. So to get me started and to help me continue, I’ve decided to start making journal quilts.
I don’t think I’ll stick to a certain size and I can’t promise I’ll make one every week. But what I am going to do is regularly make a small experimental quilt. I will not get hung up on making something ‘perfect’ and I’m going to do my best to have fun!
![]() |
| "One." 10" x 15" October 2011 |
For me this was just fun, nothing precise, and it made me feel less frustrated that I haven't used any of the things I had done at the Remarkable Symposium. I have never fused a binding or used a decorative rotary cutter either.
And, just because it's so sweet it makes my teeth hurt, here is a drawing my four year old daughter did of her riding on her father's shoulders. Awwwww!
Sunday, October 9, 2011
A sunny day means a photo shoot.
Except that a photo shoot with my husband means a very short window where he will hold up quilts for me. I can't say "turn it just a wee bit that way" or "just a little higher" and definitely not "one more minute until the wind stops blowing"! Oh well, I still love him dearly (he cooked dinner tonight so I have to say that).
These are both quilts that, when I began cataloguing them on my 'quilts' page, I realised I had never taken pictures of them finished. This is my boy's sixth birthday quilt and he's about to turn seven. I designed all the blocks myself. And it was a bit of an adventure in quilt-as-you-go!
And this one was one is called 'Indonesian Windows'. I finished it in 2007. It was begun when my sister proposed a challenge. We could only use the block given but colour it any way we liked and make it any size.
And here's the quilt holder-upper saying,"C'mon already! My arms hurt!"
Friday, October 7, 2011
I don't make quilts for people allergic to cats.
Spot the interloper. And it's not the teal blue fabrics in the green pile.
No, it's the orange furry thing taking advantage of the 'yet to be organised' shelf. Puss - can't you find somewhere else to catnap?
Like the couch?
Subscribe to:
Posts (Atom)










