My name is Charlotte, sometimes known as Ms Lottie, occasionally as The Slightly Mad Quilt Lady. This is my blog, where you'll find me writing a lot about my quilting and textile arts and a little about my family's life in a small seaside town in New Zealand. Haere mai!

Monday, March 18, 2013

Addictive


I've been fabric printing.  Experimenting for the handprinted fabric swap III, run by Leslie Keating.  I thought quilting was addictive, but now I can't stop thinking about stamp designs!  And I've even made a wee screen for screen printing and had a play with that too.  Fun!


It's amazing what some craft foam, a hot glue gun and scrap of wood can produce in the way of a stamp.  I thought it would be complicated, and I have carved a stamp (the circle of spirals) with a soft carving block and lino cutting tools, but the simpler stamps I've made are just as effective, if not more so.

I'm in love.

Friday, March 8, 2013

Tui at Dawn


I'm quilting another quilt at the moment.  It's another one that I'm hoping to have accepted for the Taupo Symposium exhibition.


Consequently, I can't show it to you besides these little peeks!


It's called Tui at Dawn.  Do you think I've got the colours and feeling right?

Saturday, March 2, 2013

The day of B's


Today I'm brewing,


baking,


and binding.

Brewing:  a ginger beer bug.

Baking:  two ginger-crunch cakes, one for the School Regatta tomorrow, one for the pantry tins.

Binding:  My tree of life quilt.  Do you like my faux piping?  Or would you call it a flange?  A decorative edging?  Whatever you call it, I like it, and I especially like that I got it pretty neat and tidy.  Two corners are done, two to go.  Do you measure your progress on hand-stitching binding like that?

Wednesday, February 27, 2013

Today....


I'm printing,


harvesting,


and trimming.  

I'm also trying to decide on a binding - who knew it could be so difficult?!

Monday, February 25, 2013

Results of my wheat flour resist play


So later in the day, my fabric (previously covered in wheat flour resist) was dry.  And there I learnt my first lesson.  Pin down the edges of your fabric really well.  It curls as it dries and if the edges curl too much it's hard to paint.

On my first piece I painted the shapes with runny fabric paint.  I had some turquoise Jacquard Dynaflo, which is quite liquid and I added a little black Jacquard textile paint to darken it.  I crackled the unpatterned part of the fabric and painted those marks too.


On my next piece I painted household bleach.  Uh oh.  Nothing happened.  This was hand dyed fabric, dyed with procion MX dyes so I just assumed it would dishcharge.  But I didn't do what Jane Dunnewold says to do - TEST YOUR FABRIC!  

I didn't want to lose my written pattern, so I painted over the bleach with some slightly diluted purple fabric paint.  I'm cutting that section off in the above photo because I wanted to wash the plain bleach section off.  You need to leave the fabric painted pieces to cure for 24 hours seeing as you can't iron them to heat set them.



I thought the lack of reaction to bleach may have been because my bleach was too old.  I have a worm septic system, and worms and bleach don't go well together so I don't use bleach very often.  So I folded, tied and dipped some commercial black homespun in the bleach.  Nope, my bleach was fine.  Instant reaction.


And it ended up a really neat piece of fabric!  It's just been rinsed in vinegar water in the pick above.  Vinegar neutralises the bleach and then I put it through a rinse cycle in my washing machine.


And here is a closer pic when it's been dried and ironed (ish!).


So here is my first fabric paint piece.  Nice crisp patterning with a few crackly bits.  The crackle section is interesting too.  I was a bit nervous about crackling it too much, but I could have been a bit more vigorous.


You can just see a faint pattern from my bleach discharge.  Lesson learnt - test your fabrics.  


 And here is the writing piece.  Nice texture.  Doesn't really look like words!  I think my paste was a bit goopey and thick.  I might try again with a thinner coat of paste and I might try with cornflour paste - less gluey.

For all that effort, I question whether I could have got similar marks from stamping.  Probably with the square/circle marks.  But I can't get the crackle or the writing texture - unless I want to start playing with batik and wax - so I think it's worth it for those sorts of textures and I'll stick to using it for that.

But fun was had and that's the most important part!